anaiis, the French‑Senegalese singer‑songwriter based in London, has announced her first headlining tour in North America. The nine‑date run will begin on September 10 in Los Angeles, California, and conclude on September 30 in New York City. The itinerary includes three Canadian venues—Vancouver’s Chan Centre for the Performing Arts, Toronto’s Longboat Hall, and Montreal’s Le Ministère—making the tour the artist’s first performances in Canada.

The tour schedule is as follows: • September 10 – Los Angeles, CA – Pico Union • September 11 – San Francisco, CA – Swedish Music Hall • September 13 – Portland, OR – The Old Church • September 15 – Seattle, WA – Fremont Abbey • September 16 – Vancouver, BC – Chan Centre for the Performing Arts • September 18 – Madison, WI – Wisconsin Union Theatre • September 19 – Chicago, IL – Szold Hall • September 22 – Toronto, ON – Longboat Hall • September 23 – Montreal, QC – Le Ministère • September 25 – Boston, MA – ICA Boston • September 27 – Washington, D.C. – Songbyrd • September 28 – Philadelphia, PA – Philadelphia Ethical Society • September 30 – New York, NY – St Ann & The Holy Trinity Church

Tickets for the tour are available to the general public beginning Friday, June 12 at 10 a.m. local time. Presale periods will start on June 9, with different presale codes distributed through the artist’s official website and selected partners. Fans can purchase tickets through the venue box offices, the anaiis website, or authorized ticketing platforms.

The tour follows the release of anaiis’s 2025 album Devotion & the Black Divine, which was recorded at 5dB Studios in London. The album explores themes of motherhood, uncertainty, and acceptance, and has been noted for its multilingual lyrics and introspective songwriting. The North American dates provide an opportunity for the artist to reach audiences in key markets across the United States and Canada.

The Canadian stops are significant for several reasons. Vancouver’s Chan Centre for the Performing Arts is a 1,200‑seat venue located on the University of British Columbia campus, known for its acoustics and contemporary programming. Longboat Hall in Toronto is a 500‑seat venue that has hosted a variety of international artists, while Montreal’s Le Ministère is a 300‑seat space that has become a hub for experimental and indie acts. These venues offer a mix of intimate settings and larger capacities, allowing anaiis to connect with diverse audiences.

The tour’s route takes the artist from the West Coast through the Midwest, the East Coast, and into Canada, culminating in New York City. This itinerary covers major cultural centers and provides a broad geographic spread that aligns with the artist’s growing international profile. The tour is scheduled to run for 20 days, with a two‑day break between the Vancouver and Madison shows.

As of the announcement, no additional supporting acts have been named for the tour. The artist’s management team has confirmed that the tour will focus on solo performances, featuring arrangements that reflect the sound of Devotion & the Black Divine while incorporating new material from the upcoming album.

In summary, anaiis’s North American headlining tour marks a milestone in her career, extending her reach into the United States and Canada. Ticket sales begin on June 12, with presales starting June 9. Fans can follow the tour schedule and purchase tickets through official channels.