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Stroud Valleys Artspace Unveils Eight-Week Lineup of Residencies, Exhibitions and Live Music
Stroud Valleys Artspace (SVA) has announced a packed schedule of visual and sonic events that will run from mid‑August through early November. The programme opens with photographer‑turned‑drawer Georgia Williams’ residency, "Time on Paper", at the John Street site on 18‑24 August. Williams, who has worked as a photographer for eight years, will use the residency to develop a new body of work through drawing, a process she describes as "an act of becoming and a study of female experience". The studio will be open to visitors on Fridays and Saturdays from 10 a.m. to 3 p.m.
From 25‑31 August, artist Archie Taylor‑Roach will occupy the same space with a residency that culminates in an exhibition of hand‑woven suspended sculptures. The work explores the relationship between maker and waste, with Taylor‑Roach collecting discarded materials and producing a natural dye from used coffee grounds donated by a local business. The studio will be open on Thursdays, Fridays and Saturdays.
The next highlight is Matthew Harris’ exhibition, "The Cellophane Wrapper and Other Items", which runs from 3‑12 September. Harris will display a series of small works created over two decades using found materials, alongside larger pieces on paper and cloth that have been informed by those earlier studies. A private view is scheduled for Friday 4 September, 6‑8 p.m.
On 12 September, technology‑led collective Squidsoup will present an immersive installation that blends light, sound and digital technology to create interactive environments. The same evening, musician and DJ Jason Singh will host his "Oneness" club night from 9 p.m. to 1 a.m., celebrating global underground dance music.
The Brunel Goods Shed will host "Sax Pax For A Sax" on 26 September, a performance that celebrates the collaboration between London Saxophonic and composer Moondog, featuring Will Gregory. SVA’s 10th Pecha Kucha Night follows on 29 September, where eight visual artists will present their work in the rapid 20‑image, 20‑second format.
Later in the season, the venue will stage live performances by saxophonist Mali Sheard’s "Homestead" on 24 October and the Christ‑Stephane Boizi Sextet on 6 November.
All events are scheduled at SVA’s John Street location in Stroud, Gloucestershire, and are open to the public during the stated hours. The art space’s official website provides further details and ticketing information for each event.
The programme showcases a diverse range of artistic practices, from traditional drawing and sculpture to digital installations and live music. By pairing visual art residencies with music nights and performance pieces, SVA continues its mission to foster interdisciplinary collaboration within the local cultural scene.
The schedule also highlights the continued relevance of found‑material art, as seen in Harris’ decade‑spanning body of work and Taylor‑Roach’s waste‑based sculptures. Meanwhile, Squidsoup’s immersive installation reflects the growing interest in technology‑driven art experiences.
SVA’s lineup underscores the venue’s role as a hub for both emerging and established artists. The inclusion of well‑known names such as Will Gregory and the Christ‑Stephane Boizi Sextet, alongside local talents, positions the space as a key destination for audiences seeking varied cultural offerings.
As the programme progresses, visitors can expect to encounter a blend of visual and sonic art that challenges traditional boundaries. The combination of residencies, exhibitions, club nights and live performances demonstrates SVA’s commitment to providing a dynamic platform for creative expression in Stroud.
For those interested in attending, the SVA website lists opening hours, ticket prices and any necessary health and safety guidelines. The venue remains open to the public throughout the scheduled events, offering a comprehensive cultural experience that spans drawing, sculpture, digital art and live music.
Overall, Stroud Valleys Artspace’s August‑November programme delivers a robust calendar that reflects the diversity of contemporary art practices and the vibrancy of the local arts community.
From 25‑31 August, artist Archie Taylor‑Roach will occupy the same space with a residency that culminates in an exhibition of hand‑woven suspended sculptures. The work explores the relationship between maker and waste, with Taylor‑Roach collecting discarded materials and producing a natural dye from used coffee grounds donated by a local business. The studio will be open on Thursdays, Fridays and Saturdays.
The next highlight is Matthew Harris’ exhibition, "The Cellophane Wrapper and Other Items", which runs from 3‑12 September. Harris will display a series of small works created over two decades using found materials, alongside larger pieces on paper and cloth that have been informed by those earlier studies. A private view is scheduled for Friday 4 September, 6‑8 p.m.
On 12 September, technology‑led collective Squidsoup will present an immersive installation that blends light, sound and digital technology to create interactive environments. The same evening, musician and DJ Jason Singh will host his "Oneness" club night from 9 p.m. to 1 a.m., celebrating global underground dance music.
The Brunel Goods Shed will host "Sax Pax For A Sax" on 26 September, a performance that celebrates the collaboration between London Saxophonic and composer Moondog, featuring Will Gregory. SVA’s 10th Pecha Kucha Night follows on 29 September, where eight visual artists will present their work in the rapid 20‑image, 20‑second format.
Later in the season, the venue will stage live performances by saxophonist Mali Sheard’s "Homestead" on 24 October and the Christ‑Stephane Boizi Sextet on 6 November.
All events are scheduled at SVA’s John Street location in Stroud, Gloucestershire, and are open to the public during the stated hours. The art space’s official website provides further details and ticketing information for each event.
The programme showcases a diverse range of artistic practices, from traditional drawing and sculpture to digital installations and live music. By pairing visual art residencies with music nights and performance pieces, SVA continues its mission to foster interdisciplinary collaboration within the local cultural scene.
The schedule also highlights the continued relevance of found‑material art, as seen in Harris’ decade‑spanning body of work and Taylor‑Roach’s waste‑based sculptures. Meanwhile, Squidsoup’s immersive installation reflects the growing interest in technology‑driven art experiences.
SVA’s lineup underscores the venue’s role as a hub for both emerging and established artists. The inclusion of well‑known names such as Will Gregory and the Christ‑Stephane Boizi Sextet, alongside local talents, positions the space as a key destination for audiences seeking varied cultural offerings.
As the programme progresses, visitors can expect to encounter a blend of visual and sonic art that challenges traditional boundaries. The combination of residencies, exhibitions, club nights and live performances demonstrates SVA’s commitment to providing a dynamic platform for creative expression in Stroud.
For those interested in attending, the SVA website lists opening hours, ticket prices and any necessary health and safety guidelines. The venue remains open to the public throughout the scheduled events, offering a comprehensive cultural experience that spans drawing, sculpture, digital art and live music.
Overall, Stroud Valleys Artspace’s August‑November programme delivers a robust calendar that reflects the diversity of contemporary art practices and the vibrancy of the local arts community.
