Blab Music
Trever M. Keith Announces Americana-Focused Solo Album and 35th-Anniversary Celebrations
Trever M. Keith, the founding vocalist and guitarist who helped shape California’s skate‑punk scene, is trading his signature high‑energy riffs for a Martin D‑15 and stepping into Nashville’s country‑laden heart with a brand‑new solo record. The eleven‑track album, We Drank From A Poisoned Well, drops on July 10, 2026 and marks a dramatic shift from the fast‑paced sound of Face to Face to a more grounded Americana aesthetic.
The pivot began long before the release date. Keith’s first taste of country came from his father, a musician who performed in bars across the 1970s. After leaving Los Angeles for the high desert and eventually settling in Nashville more than fifteen years ago, the genre became a constant backdrop. Nashville’s storied country scene allowed Keith to immerse himself in local traditions and to let those influences seep into the fabric of his new record.
Recording took place at The Bomb Shelter, a Nashville studio renowned for its analog gear. Lead engineer Drew Carroll assembled the session musicians, while Keith handled every guitar and vocal line on his Martin D‑15. He mixed the tracks in his own home studio before sending the final masters to Bobbi Giel at Welcome To 1979 Mastering. The finished product was pressed on vinyl by United Record Pressing, a plant that has been operating in Nashville since the late 1940s.
In a recent interview, Keith said, “I wanted the songs to feel like stories. The lyrics are more descriptive, with specific names and places, which is a shift from the more general storytelling of Face to Face.” The album’s title track and the single “Only Time” are already available for streaming, giving listeners a taste of the new direction.
The release coincides with Face to Face’s 35th‑anniversary celebrations. The band, formed in 1991, has performed a series of anniversary shows in Nashville, New Jersey, Chicago, Toronto, Denver, and Los Angeles. In addition to live performances, Keith has reissued the band’s 1997 live album on his independent label Antagonist Records. The reissue arrives on 220‑gram vinyl in green and a translucent sangria color with black chips, offering collectors a fresh take on a classic moment.
Keith’s Nashville ties run deeper than the studio. He has worked with local publicity firms and independent radio stations to promote the record and plans to collaborate with the session musicians on future shows. A pre‑order merchandise line will launch in July, adding apparel and limited‑edition items to the album’s rollout.
While the album’s country roots are unmistakable, Keith stresses that it contains no overt political statements. Instead, he describes the themes as “rebellion and questioning authority,” a nod to the rebellious spirit that has defined both punk and traditional country.
The timing of the release also taps into a broader trend of 1990s punk bands experiencing renewed interest. Keith observes that while the skate‑punk scene is seeing a resurgence, emo music appears to be more prominent in current festival lineups.
We Drank From A Poisoned Well will be available on all major streaming platforms and in physical formats, including vinyl, CD, and digital download. Fans of Face to Face and those drawn to Americana will find the album’s blend of personal storytelling and classic country instrumentation noteworthy.
The launch is accompanied by a series of promotional events, such as a home‑studio listening session and a potential tour with the session musicians. Keith’s focus on local Nashville talent and independent production underscores his commitment to the city’s music community.
In summary, Trever M. Keith’s July 10 release marks a significant shift from punk to Americana, supported by Nashville‑based recording and production teams. The album arrives alongside Face to Face’s 35th‑anniversary activities, reissues, and new merchandise, positioning Keith as a versatile artist bridging two distinct musical traditions.
The pivot began long before the release date. Keith’s first taste of country came from his father, a musician who performed in bars across the 1970s. After leaving Los Angeles for the high desert and eventually settling in Nashville more than fifteen years ago, the genre became a constant backdrop. Nashville’s storied country scene allowed Keith to immerse himself in local traditions and to let those influences seep into the fabric of his new record.
Recording took place at The Bomb Shelter, a Nashville studio renowned for its analog gear. Lead engineer Drew Carroll assembled the session musicians, while Keith handled every guitar and vocal line on his Martin D‑15. He mixed the tracks in his own home studio before sending the final masters to Bobbi Giel at Welcome To 1979 Mastering. The finished product was pressed on vinyl by United Record Pressing, a plant that has been operating in Nashville since the late 1940s.
In a recent interview, Keith said, “I wanted the songs to feel like stories. The lyrics are more descriptive, with specific names and places, which is a shift from the more general storytelling of Face to Face.” The album’s title track and the single “Only Time” are already available for streaming, giving listeners a taste of the new direction.
The release coincides with Face to Face’s 35th‑anniversary celebrations. The band, formed in 1991, has performed a series of anniversary shows in Nashville, New Jersey, Chicago, Toronto, Denver, and Los Angeles. In addition to live performances, Keith has reissued the band’s 1997 live album on his independent label Antagonist Records. The reissue arrives on 220‑gram vinyl in green and a translucent sangria color with black chips, offering collectors a fresh take on a classic moment.
Keith’s Nashville ties run deeper than the studio. He has worked with local publicity firms and independent radio stations to promote the record and plans to collaborate with the session musicians on future shows. A pre‑order merchandise line will launch in July, adding apparel and limited‑edition items to the album’s rollout.
While the album’s country roots are unmistakable, Keith stresses that it contains no overt political statements. Instead, he describes the themes as “rebellion and questioning authority,” a nod to the rebellious spirit that has defined both punk and traditional country.
The timing of the release also taps into a broader trend of 1990s punk bands experiencing renewed interest. Keith observes that while the skate‑punk scene is seeing a resurgence, emo music appears to be more prominent in current festival lineups.
We Drank From A Poisoned Well will be available on all major streaming platforms and in physical formats, including vinyl, CD, and digital download. Fans of Face to Face and those drawn to Americana will find the album’s blend of personal storytelling and classic country instrumentation noteworthy.
The launch is accompanied by a series of promotional events, such as a home‑studio listening session and a potential tour with the session musicians. Keith’s focus on local Nashville talent and independent production underscores his commitment to the city’s music community.
In summary, Trever M. Keith’s July 10 release marks a significant shift from punk to Americana, supported by Nashville‑based recording and production teams. The album arrives alongside Face to Face’s 35th‑anniversary activities, reissues, and new merchandise, positioning Keith as a versatile artist bridging two distinct musical traditions.
